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Camera movements - Original vs TFA

Discussion in 'Star Wars: The Force Awakens' started by Pawel Cichonski, Oct 29, 2015.

  1. Pawel Cichonski

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    Thoughts on the camera and looks of Star Wars The Force Awakens

    "Everything's changed, but nothing's changed"?

    I hope this won't end up looking as Fast & Furious & Star Trek type of look. It might be build up by a good script but that 'floating camera' movement is not what Star Wars original trilogy was all about.

    Same goes for X-Wing battle, from the final trailer looks like Star Wars Rogue Squadron game. Hope we have a cockpit camera as well.
     

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  2. DarthWalker

    DarthWalker Force Sensitive

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    Welcome.

    I have these exact same thoughts and concerns as well.
     
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  3. Lincolntown

    Lincolntown Clone Trooper

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    I think it looks fantastic. Irvin Kerscher moved the camera much more than Lucas did. In fact, some of the dolly in medium and closeup shots remind me of Kerschner's style (think of the dolly in to Leia's face when echo base shield doors close). Abrams will put his signature on this film, so if you dislike his work then you probably will have hang ups with TFA.

    For me, compared to the static look of the prequels, it's a breath of fresh air.
     
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  4. Pawel Cichonski

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    Same as when the Emperor arrives in ROTJ. Front camera (slightly on the left angle)... calm... and yet frightening and powerful. Simplicity works.


    --- Double Post Merged, Oct 29, 2015, Original Post Date: Oct 29, 2015 ---
    I hope you are right, I really do. And I don't want the movie to be the way I want it - but I do hope these scenes will be memorable. Because to be totally honest... I cannot remember any scene like that from I-II-III that gave me chills.
     
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  5. Altgr0160

    Altgr0160 Cantina News Hound

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    Well, change your expectations. It's JJ Abrams who we are talking about. I think Rian Johnson's camera work is closer to the OT camera work.
    I'm just going to leave this here. The entire video is worth a watch, but my favorite part starts at 12:57

     
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  6. DarthWalker

    DarthWalker Force Sensitive

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    Judging by the trailer, I think JJ has tried his best to make it look authentic Star Wars, and less of a "JJ Abrams" film, especially since he is such a fan. They only thing I saw that made me hesitate was that bright red lens flare from when Kylo is on the deck of a ship speaking about finishing what Vader started. I am not a fan of the artistic use of the lens flare. But other scenes look very good, like inside the downed Star Destroyer.
     
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  7. ChrisI

    ChrisI Force Sensitive

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    I really don't mind new/different camera techniques. I'm not stuck in the "it's not Star Wars" camp. As soon as I heard Lucas wasn't involved I allowed myself to be open to all sorts of different possibilities: storytelling, pacing, camera work and style.
     
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  8. Altgr0160

    Altgr0160 Cantina News Hound

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    I've got to disagree. Just with the first two teasers we could see all his characteristic features in play. Snap zoom, camera shake, sparks, blinking lights, dolly shots everywhere and crazy free camera movements. I've got to say that first shot we saw of the Millennium Falcon I didn't like right away, but I've grown to like it.
    I'm not to sure about the shots in the last trailer.
     
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  9. Rieekan

    Rieekan SWNN Hawkeye
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    We have seen those camera movements like snap zoom in the prequels. I doubt they fall back to 1977. Times have changed and so has the audience, and the last thing you want to hear in a Star Wars movie "that looks old". I think they will blend and tone things like "shaky cam" down, what we have seen in the trailer looks promising, you can see everything you know where you are things don't get messy.
     
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  10. Lincolntown

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    It's not Paul Greengrass kind of camera movement thank goodness. I do agree with the above poster that JJ is showing some restraint with this film.
     
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  11. Altgr0160

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    I hear this argument being brought up all the time. "The snap zoom was used in the PT". I don't get what that's supposed to prove.
    All I'm saying, and seriously please watch the video, is that JJ Abrams is not the best director in terms of camera movement there is.
    I don't have a problem with different camera techniques. I have a problem when they are abused and not used correctly or in a smart way.
    Camera movement techniques are just tools. It's how you use them that matters.
     
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  12. Bluemilk

    Bluemilk I AM the Senate

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    JJ should be allowed to put his own litle things here and there. Doesn't have to be 100% OT looking. Let him have some artistic freedom.
     
    #12 Bluemilk, Oct 29, 2015
    Last edited: Oct 29, 2015
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  13. Pawel Cichonski

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    Same here, didn't like it but now it's OK. Don't need to be spoiled with zooms, shakes and flares... all I need to watch is just "normal" movie with a good story. I'm balanced between the original and fresh ideas. I'm ok with JJ Abrams' style, this guy is incredibly smart... he knows the prequels, he knows the fan's reaction, he knows why so many didn't like them, he has Kasdan... I mean really I don't expect much but all I would like is not to be spoiled with too many unnecessary things. Or I don't know, maybe I'm just living in my own world.
     
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  14. A Few Luke Screws

    A Few Luke Screws Rebel General

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    The movie doesn't have to use every camera technique, motif, visual style exactly like the OT did in order to emulate the OT. We should be much more concerned with the emotions the film evokes rather than the way the film was made. That will be, IMO, the true testament to this films dedication to the OT. If there's floating camera work or a lens flare here or a first person view there, it would be a much smaller crime than if the film didn't at least attempt to evoke the same level of emotion that the OT did. I think JJ understands this and honestly, I'm actually perfectly fine with him doing it in his style. Doing it his way allows him to be more comfortable and "in his zone" while making the film and I think that's very important. I think that if he tried to do everything the way Lucas and Kershner did it, it would distract him from making the best SW STORY possible. So if you ask me, keep on Mr. Abrams.
    --- Double Post Merged, Oct 29, 2015, Original Post Date: Oct 29, 2015 ---
     
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  15. Altgr0160

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    I agree with your overall point. But I do think that camera techniques can help with an emotion or distract from it. I'm not worried about the camera techniques themselves. I'm worried about JJ using them inappropriately like he has done in the past (sometimes). So I do think it matters how a movie is filmed.
     
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  16. Rieekan

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    I saw it and I can't get behind the argumentation in some points and I can make up my own opinion about things.
    He is able to adapt and learn, what I have seen so far makes me positive.
     
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  17. JeremyNL

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    I've watched the whole video and agree on many things. However, JJ also acknowledges things he did wrong in the past and therefore learns from them.
    Especially the 'hard-to-follow' shots where you can't really understand what's going is something I don't like, but aside from the Falcon shot from the
    first teaser I feel we haven't seen any of those.

    I think everything we've seen so far looks really, really good and shots like the one from inside the star destroyer breathes Star Wars to me. I'm positive we will get the best Star Wars since ROTJ
     
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  18. The GB

    The GB Rebel Trooper

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    I think JJ looks like he's done a great job and I'm so excited to see what he's done with it. I am definitely pro-JJ at this point.
    HOWEVER....what that video shows, and I think it makes very valid points, is that sometimes his choices with the camera can let great scenes down.
    It's no so much a case of artistic freedom - it's more to do with feeding the story and doing it justice.
    It would be like taking an amazing ballad, and splashing a crazy tapping-wah guitar solo over the top it. Sometimes simpler ideas work best.
    Let's hope JJ's passion for Star Wars sees him tame some of his more wobbly ideas to suit the movie.
    FORTY-NINE DAYS!
     
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  19. Altgr0160

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    Agreed. JJ seems acknowledge his mistakes, which is huge! So I think there is hope and I'm sure he is doing his best for this movie.
    But I've lowered my expectations just in case. But it's perfectly possible that he makes very good use of his signature camera techniques and style for this movie. We will have to wait and see. It's also difficult to judge from the trailer if they are appropriate or not, so much depends from the context and what is going on emotionally in the scene.

    But I still stand by the statement that it's unequivocally JJ's style, I don't think he has changed his style for the movie at all. And I think he shouldn't!
     
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  20. Rebo

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    That guy does some good analysis. But I disagree with most of his conclusions. He makes the fatal flaw of assuming his opinion to be objective fact.

    Take his criticism of the opening sequence of MI:3. He says Abrams "inexplicably" keeps it almost all in close up for an inconsequential sequence. I disagree completely. That sequence is of vital importance to the entire film as it sets the tone of domesticity and happiness that drives Ethan through the entire movie. The close-ups done purposefully in order to set a level of intimacy in his home life that we had not seen through the first two films. You can disagree with the choice, but there was clearly a reason for it. And whether you think it works or not is really opinion. For me it works. With MI:3 I felt I understood the character of Ethan more than in any other MI film. Others may have better action sequences, but in MI:3 the characters reached their peak.

    And the same goes for his action directing. Clearly Abrams values chaos over grace when it comes to action. He wants you to feel disoriented, to feel as if you are in the moment. To experience what it must feel like to be going through that, as he values what empathy with what the character is feeling over the pleasure what the audience is perceiving. That is very un-Star Wars, so I will give the guy that. Star Wars has never been about getting into the head of the hero. Its always been theater. Viewing the drama from the outside. So, it will be interesting to see how much Abrams tempers that.

    The Falcon shot is the perfect example of him not tempering that technique. As the swirling camera is obviously intended to make you feel as if you are in the ship as it loops over the desert as opposed to viewing a ship doing the loop. It's a stylistic choice that will be foreign to Star Wars, but do think it is a choice. Not just a failure at technique as the critic made it seem.
     
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