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Of Catharsis and Dreams: Why Star Wars gives Hope

Discussion in 'General Movie Discussion' started by Jayson, Jan 20, 2023.

  1. Jayson

    Jayson Resident Lucasian

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    Every zeitgeist has strengths and weaknesses. Sometimes examining weaknesses can point to interesting directions. A weakness in current storytelling is that the dominant perspective is so heavily focused upon realism in terms of reflecting behavior that on the whole it very often lacks a proposed idealization to strive for.

    The role of iconography is not to hang up the representation of what one is experiencing currently but what one wishes to experience. It is a reminder of what to strive for.

    Chuck Wild, (who produces ambient music under the title Liquid Mind) had a nervous breakdown while working on the Max Headroom project (keeping in mind he was also in the 80's pop band Missing Persons... most folks might know the song "Words"). That is when he gave up his pop-culture life.

    One of the novel concepts he conveyed to me when we were talking once was that he said everything changed when he stopped making music that sounded like he felt and started making music that sounded like he wanted to feel.

    Catharsis has its place, and it is important. But the art of iconography has become overly atrophied in the desired pursuit of gaining audience connection through empathy.

    It is the easier task to discover what people will empathize with because of what they have gone through than it is to find what idealism will cause them to feel better after adopting it as their desire. It is easier to point out what there is than it is to offer what there could be.

    Catharsis and idealization are not incompatible, either. Many reasons why iconographic figures have remained relevant to so many down through the ages is because their stories have relatable experiences embedded within them to some extent. The principal difference is that they use those moments to show the individual take an action that is considered the much harder option. The action which does not inherently come naturally but is desired.

    Art is at its most interestingly complex when it works to seduce the audience with an empathetic cleansing, but then challenges them to become something more than they can be.

    What does this have to do with Star Wars?
    Well, Lucas' Star Wars gives a dream. It proposes an answer. It doesn't just tell us how things are. It accomplished the hardest thing possible. It found an idealism that people want to believe in.

    That's its staying power.

    The next time you watch Lucas' Star Wars, realize that you're not watching something that reflects how you are feeling. You're watching something that changes the way you feel.
    It doesn't simply reflect what you are. It challenges you to aspire to be more than you are.

    This may seem obvious, but I think right now it's very easy to lose sight of this. To see Star Wars for its skin and want to see it filled with our selves; people like us. People who feel like we do. Whom we can vent through.

    To lose sight that Star Wars is a soul that fills our skin and asks us to be better people.

    The biggest hope in Star Wars is that it can touch people and make them want to be better.
    And I hope it does. I hope we don't lose that.

    Cheers,
    Jayson
     
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  2. jan blakstar

    jan blakstar Clone Commander

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    Star Trek made people feel like the human race could go in a better direction one day. Star Wars makes us feel like there's someplace more colorful, more lively, more adventure-filled and with more interesting, exciting challenges that people actually want to live through instead of... this. This world we live in now is like a waiting room for death. Star Wars remains interesting even for its older characters. Ben Kenobi is having a blast right up until he lets Vader kill him so he can inspire Luke, and we're STILL hearing from him ANYWAY. Vader can even be REDEEMED and we see his ghost too, and Yoda's. People can go to amazing places and do amazing things without so much hassle if they have some know-how, or some adventurous friends. They can ride in a turret with a smuggler and blow up TIE fighters.

    It brings all the derring-do back into life that we've heard about from the real-world past, like in the seventeenth-century Caribbean and the Dark Ages. Well, the Dark Ages could be short and glorious until you caught a disease or pissed off the king, so let's think about the Wild West instead - no, scratch that, my dad was Native American. Yeah, Star Wars is better than this place, even with planet-wrecking battlestations and dark lords and interrogation droids, because at least you can blow them up. Here, the dark lords are running every aspect of society, and there are really no tools to fight back.
     
  3. thomasmariel

    thomasmariel Clone

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    I'm given wonder, of a hope meaning, from Episode 1's equation of echo = poetry. The echoes of ships, arriving on Naboo early in the morning (amplified by the darkness of the interior of the Trade Federation ships, and the darkness of outer space) creates and leaves a distinct poetic ability to believe in things.

    The echoes, themselves, are a uniformity construct. And that's their segway, to the poetry.

    To clarify: TPM begins with outer space, highlights outer space as correspondence with Naboo's political operators, and then highlights the white morning sky, ergo, creating an echo system of morality
     
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